rollingstone

@rollingstone

The latest news and more from Rolling Stone magazine

5261 Posts
🗽#RollingLoud NYC day one 🗽⁠
⁠
Photo credits in order of appearance:⁠⁠
Jack Harlow, Lil Nas X, Lil Uzi Vert, Polo G, Dreamdoll, Babyface Ray by @deshaunicus⁠
Dave East by @ewphotos1⁠
Rico Nasty & Gucci Mane by @protestnsurvive

🗽#RollingLoud NYC day one 🗽⁠ ⁠ Photo credits in order of appearance:⁠⁠ Jack Harlow, Lil Nas X, Lil Uzi Vert, Polo G, Dreamdoll, Babyface Ray by @deshaunicus⁠ Dave East by @ewphotos1⁠ Rico Nasty & Gucci Mane by @protestnsurvive

🗽#RollingLoud NYC day one 🗽⁠ ⁠ Photo credits in order of appearance:⁠⁠ Jack Harlow, Lil Nas X, Lil Uzi Vert, Polo G, Dreamdoll, Babyface Ray by @deshaunicus⁠ Dave East by @ewphotos1⁠ Rico Nasty & Gucci Mane by @protestnsurvive

Tom Hanks nearly destroyed Connor Ratliff's career. Twenty years later, the podcast Ratliff made about it, 'Dead Eyes,' has finally made him a huge success.⁠
⁠
Before the Season Three premiere, Ratliff talks about surviving failure, reinventing himself through improv, and why he loves Jar Jar Binks.⁠
⁠
Tap the link in our bio to read more. ⁠
⁠
Photo: Mindy Tucker⁠
⁠

Tom Hanks nearly destroyed Connor Ratliff's career. Twenty years later, the podcast Ratliff made about it, 'Dead Eyes,' has finally made him a huge success.⁠ ⁠ Before the Season Three premiere, Ratliff talks about surviving failure, reinventing himself through improv, and why he loves Jar Jar Binks.⁠ ⁠ Tap the link in our bio to read more. ⁠ ⁠ Photo: Mindy Tucker⁠ ⁠

Tom Hanks nearly destroyed Connor Ratliff's career. Twenty years later, the podcast Ratliff made about it, 'Dead Eyes,' has finally made him a huge success.⁠ ⁠ Before the Season Three premiere, Ratliff talks about surviving failure, reinventing himself through improv, and why he loves Jar Jar Binks.⁠ ⁠ Tap the link in our bio to read more. ⁠ ⁠ Photo: Mindy Tucker⁠ ⁠

The Digital Millennium Copyright Act has long been associated with record-industry greed, but a new Rolling Stone investigation explores the ways this convoluted law has come to benefit tech giants while musicians and songwriters struggle to scrape by.⁠
⁠
In 2021 the digital copyright battle is less about individual piracy than the way music exists on some of the biggest sites in the world, like YouTube and Twitch, which remain protected from infringement liability thanks to the DMCA. Artists and rights holders — especially smaller, independent ones — compare tracking and monetizing infringing content to playing Whac-a-Mole. Advocates argue the DMCA's liability protections give sites like YouTube greater leverage in negotiating licensing fees.⁠
⁠
 "There used to be five financial pillars to the music industry," says American Association of Independent Music CEO Richard James Burgess. "We've almost thrown the recording pillar away and said, 'That's just promotional for merchandise, endorsements, publishing, touring.'"⁠
⁠
Tap the link in our bio to read more. ⁠
⁠
Illustration by Alexander Wells for Rolling Stone

The Digital Millennium Copyright Act has long been associated with record-industry greed, but a new Rolling Stone investigation explores the ways this convoluted law has come to benefit tech giants while musicians and songwriters struggle to scrape by.⁠ ⁠ In 2021 the digital copyright battle is less about individual piracy than the way music exists on some of the biggest sites in the world, like YouTube and Twitch, which remain protected from infringement liability thanks to the DMCA. Artists and rights holders — especially smaller, independent ones — compare tracking and monetizing infringing content to playing Whac-a-Mole. Advocates argue the DMCA's liability protections give sites like YouTube greater leverage in negotiating licensing fees.⁠ ⁠ "There used to be five financial pillars to the music industry," says American Association of Independent Music CEO Richard James Burgess. "We've almost thrown the recording pillar away and said, 'That's just promotional for merchandise, endorsements, publishing, touring.'"⁠ ⁠ Tap the link in our bio to read more. ⁠ ⁠ Illustration by Alexander Wells for Rolling Stone

The Digital Millennium Copyright Act has long been associated with record-industry greed, but a new Rolling Stone investigation explores the ways this convoluted law has come to benefit tech giants while musicians and songwriters struggle to scrape by.⁠ ⁠ In 2021 the digital copyright battle is less about individual piracy than the way music exists on some of the biggest sites in the world, like YouTube and Twitch, which remain protected from infringement liability thanks to the DMCA. Artists and rights holders — especially smaller, independent ones — compare tracking and monetizing infringing content to playing Whac-a-Mole. Advocates argue the DMCA's liability protections give sites like YouTube greater leverage in negotiating licensing fees.⁠ ⁠ "There used to be five financial pillars to the music industry," says American Association of Independent Music CEO Richard James Burgess. "We've almost thrown the recording pillar away and said, 'That's just promotional for merchandise, endorsements, publishing, touring.'"⁠ ⁠ Tap the link in our bio to read more. ⁠ ⁠ Illustration by Alexander Wells for Rolling Stone

Lou Reed died eight years ago today. In a 1989 interview, the musician discussed his lifelong ties to the city he called home. "Well, Faulkner had the South, Joyce had Dublin. I’ve got New York – and its environs."⁠
⁠
Tap the link in our bio to read more.

Lou Reed died eight years ago today. In a 1989 interview, the musician discussed his lifelong ties to the city he called home. "Well, Faulkner had the South, Joyce had Dublin. I’ve got New York – and its environs."⁠ ⁠ Tap the link in our bio to read more.

Lou Reed died eight years ago today. In a 1989 interview, the musician discussed his lifelong ties to the city he called home. "Well, Faulkner had the South, Joyce had Dublin. I’ve got New York – and its environs."⁠ ⁠ Tap the link in our bio to read more.

The Kid Laroi talks manifesting fame and his quest for "world dominion" in an interview for our 2022 Grammy Preview. ⁠
⁠
Tap the link in our bio to read more.⁠
⁠
Photo: Brandon Bowen

The Kid Laroi talks manifesting fame and his quest for "world dominion" in an interview for our 2022 Grammy Preview. ⁠ ⁠ Tap the link in our bio to read more.⁠ ⁠ Photo: Brandon Bowen

The Kid Laroi talks manifesting fame and his quest for "world dominion" in an interview for our 2022 Grammy Preview. ⁠ ⁠ Tap the link in our bio to read more.⁠ ⁠ Photo: Brandon Bowen

Duran Duran go deep with Rob Sheffield in this extended video interview, talking about how they keep their music fresh, their hedonistic Eighties days, and the burning question of whether they were as hot as Journey.⁠
⁠
Tap the link in our bio to read more. ⁠

Duran Duran go deep with Rob Sheffield in this extended video interview, talking about how they keep their music fresh, their hedonistic Eighties days, and the burning question of whether they were as hot as Journey.⁠ ⁠ Tap the link in our bio to read more. ⁠

Duran Duran go deep with Rob Sheffield in this extended video interview, talking about how they keep their music fresh, their hedonistic Eighties days, and the burning question of whether they were as hot as Journey.⁠ ⁠ Tap the link in our bio to read more. ⁠

Michelle Zauner led Japanese Breakfast through four sold-out shows at New York's Brooklyn Steel. ⁠
⁠
Tap the link in bio for our photographs from backstage, onstage, and in the crowd.⁠
⁠
Photos by @grifflotz

Michelle Zauner led Japanese Breakfast through four sold-out shows at New York's Brooklyn Steel. ⁠ ⁠ Tap the link in bio for our photographs from backstage, onstage, and in the crowd.⁠ ⁠ Photos by @grifflotz

Michelle Zauner led Japanese Breakfast through four sold-out shows at New York's Brooklyn Steel. ⁠ ⁠ Tap the link in bio for our photographs from backstage, onstage, and in the crowd.⁠ ⁠ Photos by @grifflotz

Flying Lotus and Thundercat know that what they have is precious. The two West Coast visionaries talk about their decade-plus creative partnership in our latest Musicians on Musicians interview.⁠
⁠
"Even though months can go by, it doesn’t really feel like anything’s lost on us when it’s time to get back together,” Flying Lotus tells Thundercat. "It’s just like, bam."⁠
⁠
Tap the link in our bio to read the story.⁠
⁠
Photo: @trotterwithahardr

Flying Lotus and Thundercat know that what they have is precious. The two West Coast visionaries talk about their decade-plus creative partnership in our latest Musicians on Musicians interview.⁠ ⁠ "Even though months can go by, it doesn’t really feel like anything’s lost on us when it’s time to get back together,” Flying Lotus tells Thundercat. "It’s just like, bam."⁠ ⁠ Tap the link in our bio to read the story.⁠ ⁠ Photo: @trotterwithahardr

Flying Lotus and Thundercat know that what they have is precious. The two West Coast visionaries talk about their decade-plus creative partnership in our latest Musicians on Musicians interview.⁠ ⁠ "Even though months can go by, it doesn’t really feel like anything’s lost on us when it’s time to get back together,” Flying Lotus tells Thundercat. "It’s just like, bam."⁠ ⁠ Tap the link in our bio to read the story.⁠ ⁠ Photo: @trotterwithahardr

In this exclusive excerpt from Questlove's fascinating new book, the Roots drummer breaks down how an old song by the Police informed his discovery of his ancestry from Alabama and his African roots. “Understanding history begins with learning history, and learning history begins with being able to see both inside yourself and outside yourself,” he writes.⁠
⁠
Tap the link in our bio to read a chapter from 'Music Is History.' ⁠
⁠
Photo: Daniel Dorsa⁠

In this exclusive excerpt from Questlove's fascinating new book, the Roots drummer breaks down how an old song by the Police informed his discovery of his ancestry from Alabama and his African roots. “Understanding history begins with learning history, and learning history begins with being able to see both inside yourself and outside yourself,” he writes.⁠ ⁠ Tap the link in our bio to read a chapter from 'Music Is History.' ⁠ ⁠ Photo: Daniel Dorsa⁠

In this exclusive excerpt from Questlove's fascinating new book, the Roots drummer breaks down how an old song by the Police informed his discovery of his ancestry from Alabama and his African roots. “Understanding history begins with learning history, and learning history begins with being able to see both inside yourself and outside yourself,” he writes.⁠ ⁠ Tap the link in our bio to read a chapter from 'Music Is History.' ⁠ ⁠ Photo: Daniel Dorsa⁠

Willow and Travis Barker talk pop-punk therapy, rock’s resurgence, and the sweet surprises of collaboration in our latest Musicians on Musicians interview.⁠
⁠
 “I’m so grateful for people like you,” Willow tells Travis. “Even you calling me and saying, ‘Hey, I really think you would sound great on this MGK record.’ To be a Black woman and be able to come on that song — those things that are going to make more people feel seen.”⁠
⁠
Tap the link in our bio to read the story.⁠⁠⁠
⁠
Photo:  Dana Trippe; Samuel Trotter for Rolling Stone

Willow and Travis Barker talk pop-punk therapy, rock’s resurgence, and the sweet surprises of collaboration in our latest Musicians on Musicians interview.⁠ ⁠ “I’m so grateful for people like you,” Willow tells Travis. “Even you calling me and saying, ‘Hey, I really think you would sound great on this MGK record.’ To be a Black woman and be able to come on that song — those things that are going to make more people feel seen.”⁠ ⁠ Tap the link in our bio to read the story.⁠⁠⁠ ⁠ Photo: Dana Trippe; Samuel Trotter for Rolling Stone

Willow and Travis Barker talk pop-punk therapy, rock’s resurgence, and the sweet surprises of collaboration in our latest Musicians on Musicians interview.⁠ ⁠ “I’m so grateful for people like you,” Willow tells Travis. “Even you calling me and saying, ‘Hey, I really think you would sound great on this MGK record.’ To be a Black woman and be able to come on that song — those things that are going to make more people feel seen.”⁠ ⁠ Tap the link in our bio to read the story.⁠⁠⁠ ⁠ Photo: Dana Trippe; Samuel Trotter for Rolling Stone

The ‘Pharma Bro’ Wu-Tang album seized by the U.S. government was bought for $4 million in July. The owners chose to remain anonymous. Until now.⁠
⁠
Jamis Johnson, the “Chief Pleasing Officer” for PleasrDAO, a collective that buys digital collectibles, tells us why he wants to bring the one-of-a-kind album “back to the people.” "Wu-Tang’s attempt to say fuck these middle men for taking all the money that should be going to the artists … perfectly aligns with the ethos of crypto,” he tells us.⁠
⁠
Tap the link in our bio to read more. ⁠
⁠
Photo by @grifflotz

The ‘Pharma Bro’ Wu-Tang album seized by the U.S. government was bought for $4 million in July. The owners chose to remain anonymous. Until now.⁠ ⁠ Jamis Johnson, the “Chief Pleasing Officer” for PleasrDAO, a collective that buys digital collectibles, tells us why he wants to bring the one-of-a-kind album “back to the people.” "Wu-Tang’s attempt to say fuck these middle men for taking all the money that should be going to the artists … perfectly aligns with the ethos of crypto,” he tells us.⁠ ⁠ Tap the link in our bio to read more. ⁠ ⁠ Photo by @grifflotz

The ‘Pharma Bro’ Wu-Tang album seized by the U.S. government was bought for $4 million in July. The owners chose to remain anonymous. Until now.⁠ ⁠ Jamis Johnson, the “Chief Pleasing Officer” for PleasrDAO, a collective that buys digital collectibles, tells us why he wants to bring the one-of-a-kind album “back to the people.” "Wu-Tang’s attempt to say fuck these middle men for taking all the money that should be going to the artists … perfectly aligns with the ethos of crypto,” he tells us.⁠ ⁠ Tap the link in our bio to read more. ⁠ ⁠ Photo by @grifflotz

CL and JhenÊ Aiko talk about taking time for themselves, making music that breaks the mold, and building a career that lasts in our latest Musicians on Musicians interview.⁠
⁠
Tap the link in our bio to read the story.⁠⁠
⁠
Writer: @kristine⁠
Photographer: @erik_carter⁠
Director of Creative Content:⁠
Creative Director: joe_hutchinson⁠
Producer: @withlovewalaa⁠
Associate Producer: @cdipoi⁠
Hair (CL): @serenaradaelli / @cloutierremix⁠
Makeup (CL): @morganmarinoffmua⁠
Stylist (CL) @sebastienhohl_ @aunnakhyris⁠
Hair (Jhene): @kahhspence⁠
Makeup (Jhene): @nikko.anthony⁠
Stylist (Jhene): @icontips

CL and JhenÊ Aiko talk about taking time for themselves, making music that breaks the mold, and building a career that lasts in our latest Musicians on Musicians interview.⁠ ⁠ Tap the link in our bio to read the story.⁠⁠ ⁠ Writer: @kristine⁠ Photographer: @erik_carter⁠ Director of Creative Content:⁠ Creative Director: joe_hutchinson⁠ Producer: @withlovewalaa⁠ Associate Producer: @cdipoi⁠ Hair (CL): @serenaradaelli / @cloutierremix⁠ Makeup (CL): @morganmarinoffmua⁠ Stylist (CL) @sebastienhohl_ @aunnakhyris⁠ Hair (Jhene): @kahhspence⁠ Makeup (Jhene): @nikko.anthony⁠ Stylist (Jhene): @icontips

CL and JhenÊ Aiko talk about taking time for themselves, making music that breaks the mold, and building a career that lasts in our latest Musicians on Musicians interview.⁠ ⁠ Tap the link in our bio to read the story.⁠⁠ ⁠ Writer: @kristine⁠ Photographer: @erik_carter⁠ Director of Creative Content:⁠ Creative Director: joe_hutchinson⁠ Producer: @withlovewalaa⁠ Associate Producer: @cdipoi⁠ Hair (CL): @serenaradaelli / @cloutierremix⁠ Makeup (CL): @morganmarinoffmua⁠ Stylist (CL) @sebastienhohl_ @aunnakhyris⁠ Hair (Jhene): @kahhspence⁠ Makeup (Jhene): @nikko.anthony⁠ Stylist (Jhene): @icontips