@rollingstone

'It's a Sin,' Russell T. Davies' limited series for HBO about the dawn of the AIDS crisis in 1980s London, is a wrenching but joyful tribute to the disease's victims.⁠ ⁠ Tap the link in bio to read Alan Sepinwall's review.⁠ ⁠ Photo: Ben Blackall/HBO

'It's a Sin,' Russell T. Davies' limited series for HBO about the dawn of the AIDS crisis in 1980s London, is a wrenching but joyful tribute to the disease's victims.⁠ ⁠ Tap the link in bio to read Alan Sepinwall's review.⁠ ⁠ Photo: Ben Blackall/HBO

@rollingstone Feb 16

In a different field, Herbie Hancock and Chick Corea could have been rivals. Born just a year apart, the pianists both hit the New York jazz scene in the early Sixties, and by the end of the decade, they’d grown into two of the genre’s brightest young talents — and two of the musicians best equipped to lead the way into the plugged-in fusion era. But even after Corea replaced Hancock in Miles Davis’ live band in 1968, the pair developed a close working relationship — and equally strong friendship — that would endure for the next 50-plus years, until Corea’s death from cancer last week.⁠ ⁠ In a new interview, Herbie Hancock remembers Chick Corea, his friend and collaborator of more than 50 years. "As soon as he touched the keys, a light would go on somewhere inside my being," Hancock says.⁠ ⁠ Tap the link in bio to read more.⁠ ⁠ Photo: Laurent Gillieron/Keystone/AP

In a different field, Herbie Hancock and Chick Corea could have been rivals. Born just a year apart, the pianists both hit the New York jazz scene in the early Sixties, and by the end of the decade, they’d grown into two of the genre’s brightest young talents — and two of the musicians best equipped to lead the way into the plugged-in fusion era. But even after Corea replaced Hancock in Miles Davis’ live band in 1968, the pair developed a close working relationship — and equally strong friendship — that would endure for the next 50-plus years, until Corea’s death from cancer last week.⁠ ⁠ In a new interview, Herbie Hancock remembers Chick Corea, his friend and collaborator of more than 50 years. "As soon as he touched the keys, a light would go on somewhere inside my being," Hancock says.⁠ ⁠ Tap the link in bio to read more.⁠ ⁠ Photo: Laurent Gillieron/Keystone/AP

@rollingstone Feb 16

This week on ‘Too Long; Didn’t Watch,’ the Rolling Stone/OBB Sound podcast, ‘Happy Endings’ star Eliza Coupe joins host Alan Sepinwall for a wild ride through the world of ‘Breaking Bad.’⁠ ⁠ @OBB @TLDWPod #heyGoogle

This week on ‘Too Long; Didn’t Watch,’ the Rolling Stone/OBB Sound podcast, ‘Happy Endings’ star Eliza Coupe joins host Alan Sepinwall for a wild ride through the world of ‘Breaking Bad.’⁠ ⁠ @OBB @TLDWPod #heyGoogle

@rollingstone Feb 16

Will the federal government finally embrace the psychedelic revolution?⁠ ⁠ From approving religious exemptions to budgeting for medical research, advocates are hopeful that Biden and a Democratic Congress could mean progress for psilocybin and other therapeutic psychedelics.⁠ ⁠ Tap the link in bio to read more.⁠ ⁠ Illustration by @alterlier⁠ ⁠ This column is a collaboration with @doubleblindmag, a print magazine and media company at the forefront of the psychedelic movement.

Will the federal government finally embrace the psychedelic revolution?⁠ ⁠ From approving religious exemptions to budgeting for medical research, advocates are hopeful that Biden and a Democratic Congress could mean progress for psilocybin and other therapeutic psychedelics.⁠ ⁠ Tap the link in bio to read more.⁠ ⁠ Illustration by @alterlier⁠ ⁠ This column is a collaboration with @doubleblindmag, a print magazine and media company at the forefront of the psychedelic movement.

@rollingstone Feb 15

Tina Turner on the cover of Rolling Stone, October 11th, 1984.⁠ ⁠ “In order to get people to listen to you, you’ve got to be some kind of landmark, some kind of foundation. You don’t listen to people that don’t mean anything to you. You have to have something there to make people believe you. And so I think that’s what’s going on now. I’m getting their attention now, and then when I’m ready, they’ll listen. And they’ll hear.”⁠ ⁠ Tap the link in bio to revisit her 1984 cover story. Photo by Steven Meisel.⁠ ⁠ Every Monday throughout Black History Month, we're sharing iconic covers from our archives.⁠ #RSBlackHistory⁠

Tina Turner on the cover of Rolling Stone, October 11th, 1984.⁠ ⁠ “In order to get people to listen to you, you’ve got to be some kind of landmark, some kind of foundation. You don’t listen to people that don’t mean anything to you. You have to have something there to make people believe you. And so I think that’s what’s going on now. I’m getting their attention now, and then when I’m ready, they’ll listen. And they’ll hear.”⁠ ⁠ Tap the link in bio to revisit her 1984 cover story. Photo by Steven Meisel.⁠ ⁠ Every Monday throughout Black History Month, we're sharing iconic covers from our archives.⁠ #RSBlackHistory⁠

@rollingstone Feb 15

Little Richard on the cover of Rolling Stone, May 28th, 1970.⁠ ⁠ “What I think society is mad about is they’re getting old and very soon they’ll be gone, and they wondering what these young people are gonna do with this world, and they’re mad because they can’t do what they used to do and they can’t dance because they’ve got arthritis and rheumatism, they can’t jump up in the air. It’s jealousy against the young race, and it’s not fair because even the Bible said that the young would be weaker but wiser.”⁠ ⁠ Tap the link in bio to revisit the story. Photo by Baron Wolman.⁠ ⁠ Every Monday throughout Black History Month, we're sharing iconic covers from our archives.⁠ #RSBlackHistory⁠

Little Richard on the cover of Rolling Stone, May 28th, 1970.⁠ ⁠ “What I think society is mad about is they’re getting old and very soon they’ll be gone, and they wondering what these young people are gonna do with this world, and they’re mad because they can’t do what they used to do and they can’t dance because they’ve got arthritis and rheumatism, they can’t jump up in the air. It’s jealousy against the young race, and it’s not fair because even the Bible said that the young would be weaker but wiser.”⁠ ⁠ Tap the link in bio to revisit the story. Photo by Baron Wolman.⁠ ⁠ Every Monday throughout Black History Month, we're sharing iconic covers from our archives.⁠ #RSBlackHistory⁠

@rollingstone Feb 15

Muhammad Ali on the cover of Rolling Stone, May 4th, 1978.⁠ ⁠ Tap the link in bio to revisit the story. Photo by Annie Leibovitz.⁠ ⁠ Every Monday throughout Black History Month, we're sharing iconic covers from our archives.⁠ #RSBlackHistory

Muhammad Ali on the cover of Rolling Stone, May 4th, 1978.⁠ ⁠ Tap the link in bio to revisit the story. Photo by Annie Leibovitz.⁠ ⁠ Every Monday throughout Black History Month, we're sharing iconic covers from our archives.⁠ #RSBlackHistory

@rollingstone Feb 15

A teenage Tevin Campbell didn't feel ready to sing Prince's songs. Now, he's glad he did.⁠ ⁠ With his double-platinum album 1993 'I’m Ready,' partially produced by Prince, arriving on streaming services in full for the first time, Campbell looks back on a formative yet challenging time in his career.⁠ ⁠ Link in bio.⁠ ⁠ Photo: Tim Mosenfelder/Getty Images

A teenage Tevin Campbell didn't feel ready to sing Prince's songs. Now, he's glad he did.⁠ ⁠ With his double-platinum album 1993 'I’m Ready,' partially produced by Prince, arriving on streaming services in full for the first time, Campbell looks back on a formative yet challenging time in his career.⁠ ⁠ Link in bio.⁠ ⁠ Photo: Tim Mosenfelder/Getty Images

@rollingstone Feb 14

When Eddie Van Halen, Michael Anthony, and Alex Van Halen stepped onstage with their estranged singer David Lee Roth for the first time in 12 years at the 1996 MTV Video Music Awards, no one was more shocked than Mitch Malloy. Malloy, a North Dakota native with central-casting Nordic-rock-god looks and a big, radio-ready voice, says he was under every impression that Van Halen had chosen him as their new singer in the wake of Sammy Hagar’s departure from the band. Instead, within a few weeks, Extreme frontman Gary Cherone was announced as Van Halen’s new frontman.⁠ ⁠ Malloy, now the lead singer for Great White and a brand-new band called Malloy, stayed silent about his experience until he revealed some of it in a mini-documentary several years back. In a new interview with Rolling Stone, he shared his most detailed account yet of his Van Halen adventure, following our memorial coverage for Eddie Van Halen, who died last October. ⁠ ⁠ Tap the link in bio to read his story, in his own words, which he backed up with recordings and other documentation.⁠ ⁠ Photo: NBCU Photo Bank/NBCUniversal

When Eddie Van Halen, Michael Anthony, and Alex Van Halen stepped onstage with their estranged singer David Lee Roth for the first time in 12 years at the 1996 MTV Video Music Awards, no one was more shocked than Mitch Malloy. Malloy, a North Dakota native with central-casting Nordic-rock-god looks and a big, radio-ready voice, says he was under every impression that Van Halen had chosen him as their new singer in the wake of Sammy Hagar’s departure from the band. Instead, within a few weeks, Extreme frontman Gary Cherone was announced as Van Halen’s new frontman.⁠ ⁠ Malloy, now the lead singer for Great White and a brand-new band called Malloy, stayed silent about his experience until he revealed some of it in a mini-documentary several years back. In a new interview with Rolling Stone, he shared his most detailed account yet of his Van Halen adventure, following our memorial coverage for Eddie Van Halen, who died last October. ⁠ ⁠ Tap the link in bio to read his story, in his own words, which he backed up with recordings and other documentation.⁠ ⁠ Photo: NBCU Photo Bank/NBCUniversal

@rollingstone Feb 13

Shaka King's ‘Judas and the Black Messiah’ shouldn’t be mistaken for history but it will most certainly educate a new cohort about the Black Panthers.⁠ ⁠ Tap the link in bio to read our review by K. Austin Collins.⁠ ⁠ Photo: Glen Wilson/Warner Bros

Shaka King's ‘Judas and the Black Messiah’ shouldn’t be mistaken for history but it will most certainly educate a new cohort about the Black Panthers.⁠ ⁠ Tap the link in bio to read our review by K. Austin Collins.⁠ ⁠ Photo: Glen Wilson/Warner Bros

@rollingstone Feb 12

This week's 'WandaVision' takes some action outside the Hex for a Halloween-themed riff on 'Malcolm in the Middle.'⁠ ⁠ Tap the link in bio to read Alan @Sepinwall's recap.⁠ ⁠ Photo: Marvel Studios/Disney+

This week's 'WandaVision' takes some action outside the Hex for a Halloween-themed riff on 'Malcolm in the Middle.'⁠ ⁠ Tap the link in bio to read Alan @Sepinwall's recap.⁠ ⁠ Photo: Marvel Studios/Disney+

@rollingstone Feb 12

Black cinema is too often left out of the conversations that surround award shows and milestone achievements. Still, its impact on popular culture is undeniable — and music is a big part of why that is. ⁠ ⁠ From Black Caesar to Black Panther, black film soundtracks have consistently birthed some of the greatest songs of their time, and they've been a place for artists from Curtis Mayfield to Kendrick Lamar to deepen and expand their sounds. ⁠ ⁠ The songs on this playlist, drawn from films from the 1970s through today, speak to the power of Afrocentric stories as they ooze though your speakers. Tap the link in our bio to learn more.

Black cinema is too often left out of the conversations that surround award shows and milestone achievements. Still, its impact on popular culture is undeniable — and music is a big part of why that is. ⁠ ⁠ From Black Caesar to Black Panther, black film soundtracks have consistently birthed some of the greatest songs of their time, and they've been a place for artists from Curtis Mayfield to Kendrick Lamar to deepen and expand their sounds. ⁠ ⁠ The songs on this playlist, drawn from films from the 1970s through today, speak to the power of Afrocentric stories as they ooze though your speakers. Tap the link in our bio to learn more.

@rollingstone Feb 12

'It's a Sin,' Russell T. Davies' limited series for HBO about the dawn of the AIDS crisis in 1980s London, is a wrenching but joyful tribute to the disease's victims.⁠ ⁠ Tap the link in bio to read Alan Sepinwall's review.⁠ ⁠ Photo: Ben Blackall/HBO

This week on ‘Too Long; Didn’t Watch,’ the Rolling Stone/OBB Sound podcast, ‘Happy Endings’ star Eliza Coupe joins host Alan Sepinwall for a wild ride through the world of ‘Breaking Bad.’⁠ ⁠ @OBB @TLDWPod #heyGoogle

Muhammad Ali on the cover of Rolling Stone, May 4th, 1978.⁠ ⁠ Tap the link in bio to revisit the story. Photo by Annie Leibovitz.⁠ ⁠ Every Monday throughout Black History Month, we're sharing iconic covers from our archives.⁠ #RSBlackHistory

Shaka King's ‘Judas and the Black Messiah’ shouldn’t be mistaken for history but it will most certainly educate a new cohort about the Black Panthers.⁠ ⁠ Tap the link in bio to read our review by K. Austin Collins.⁠ ⁠ Photo: Glen Wilson/Warner Bros

This week's 'WandaVision' takes some action outside the Hex for a Halloween-themed riff on 'Malcolm in the Middle.'⁠ ⁠ Tap the link in bio to read Alan @Sepinwall's recap.⁠ ⁠ Photo: Marvel Studios/Disney+

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